Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.

A lawyer's advice to his children as he defends the real mockingbird of Harper Lee's classic novel—a black man charged with the rape of a white girl. Through the young eyes of Scout and Jem Finch, Harper Lee explores with rich humor and unswerving honesty the irrationality of adult attitudes toward race and class in the Deep South of the 1930s. The conscience of a town steeped in prejudice, violence, and hypocrisy is pricked by the stamina and quiet heroism of one man's struggle for justice—but the weight of history will only tolerate so much.

One of the best-loved classics of all time, To Kill a Mockingbird has earned many dis-tinctions since its original publication in 1960. It has won the Pulitzer Prize, been translated into more than forty languages, sold more than forty million copies worldwide, and been made into an enormously popular movie. It was also named the best novel of the twentieth century by librarians across the country (Library Journal). HarperCollins is proud to celebrate the fiftieth anniversary of the book's publication with this special hardcover edition.

I've struck it! Mark Twain wrote in a 1904 letter to a friend. And I will give it away--to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography. Thus, after dozens of false starts and hundreds of pages, Twain embarked on his Final (and Right) Plan for telling the story of his life. His innovative notion--to talk only about the thing which interests you for the moment--meant that his thoughts could range freely. The strict instruction that these texts remain unpublished for 100 years meant that when they came out, he would be dead, and unaware, and indifferent, and that he was therefore free to speak his whole frank mind. The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three essential volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended.

Winner of the National Book Critics Circle Award for Nonfiction

When three-month-old Lia Lee Arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run Quiet War in Laos. The Hmong, traditionally a close-knit and fiercely people, have been less amenable to assimilation than most immigrants, adhering steadfastly to the rituals and beliefs of their ancestors. Lia's pediatricians, Neil Ernst and his wife, Peggy Philip, cleaved just as strongly to another tradition: that of Western medicine. When Lia Lee Entered the American medical system, diagnosed as an epileptic, her story became a tragic case history of cultural miscommunication.

Parents and doctors both wanted the best for Lia, but their ideas about the causes of her illness and its treatment could hardly have been more different. The Hmong see illness aand healing as spiritual matters linked to virtually everything in the universe, while medical community marks a division between body and soul, and concerns itself almost exclusively with the former. Lia's doctors ascribed her seizures to the misfiring of her cerebral neurons; her parents called her illness, qaug dab peg--the spirit catches you and you fall down--and ascribed it to the wandering of her soul. The doctors prescribed anticonvulsants; her parents preferred animal sacrifices.

To Kill a Mockingbird may well be our national novel. It is the first adult novel that many of us remember reading, one book that millions of us have in common. It sells nearly a million copies a year, more than any other twentieth-century American classic. Harper Lee's first and only novel, published in July 1960, is a beloved classic and touchstone in American literary and social history.

To mark the fiftieth anniversary of To Kill a Mockingbird, Mary McDonagh Murphy reviews its history and examines how the novel has left its mark on a broad range of novelists, historians, journalists, and artists.

In compelling interviews, Anna Quindlen, Tom Brokaw, Oprah Winfrey, James Patterson, James McBride, Scott Turow, Wally Lamb, Andrew Young, Richard Russo, Adriana Trigiani, Rick Bragg, Jon Meacham, Allan Gurganus, Diane McWhorter, Lee Smith, Rosanne Cash, and others reflect on when they first read the novel, what it means to them—then and now—and how it has affected their lives and careers. Scout, Atticus, and Boo: A Celebration of Fifty Years of To Kill a Mockingbird is a lively appreciation of the many ways in which the novel has made—and continues to make—a difference to generations of readers.

Harper Lee has not given an interview since 1964, but Murphy's reporting, research, and rare interviews with the author's sister and friends stitch together a brief history of how the novel, as well as the acclaimed 1962 movie, came to be.

MONSTERS, MORTALS, GODS, AND WARRIORS

For over fifty years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology. From Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom, Edith Hamilton's classic collection not only retells these stories with brilliant clarity but shows us how the ancients saw their own place in the world and how their themes echo in our consciousness today. An essential part of every home library, MYTHOLOGY is the definitive volume for anyone who wants to know the key dramas, the primary characters, the triumphs, failures, fears, and hopes first narrated thousands of years ago -- and still spellbinding to this day.

How to Read a Book, originally published in 1940, has become a rare phenomenon, a living classic. It is the best and most successful guide to reading comprehension for the general reader. And now it has been completely rewritten and updated.

You are told about the various levels of reading and how to achieve them -- from elementary reading, through systematic skimming and inspectional reading, to speed reading, you learn how to pigeonhole a book, X-ray it, extract the author's message, criticize. You are taught the different reading techniques for reading practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and social science.

Finally, the authors offer a recommended reading list and supply reading tests whereby you can measure your own progress in reading skills, comprehension and speed.

When it was published in 1995, Mary Karr’s The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, as well as bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. Now with a new introduction that discusses her memoir’s impact on her family, this unsentimental and profoundly moving account of an apocalyptic childhood is as funny, lively, and un-put-downable (USA Today) today as it ever was.

Part voyeuristic entertainment, part group therapy, Passive Aggressive Notes offers a fascinating look at the all-too-familiar frustrations of embattled office drones, apartment dwellers, parents, and pet owners everywhere.

This curated collection combines dozens of outrageous, never-before-seen notes as well as favorites from Passiveaggressivenotes.coma 2008 Webby Award Winner and the official Best Blog of the South by Southwest Interactive festival.

Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.

The tragedy of a typical American--a salesman who at the age of sixty-three is faced with what he cannot face; defeat and disillusionment.