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In his nearly thirty years at CBS News, Emmy Award winner Bernard Goldberg earned a reputation as one of the preeminent reporters in the television news business. When he looked at his own industry, however, he saw that the media far too often ignored their primary mission: to provide objective, disinterested reporting. Again and again he saw that the news slanted to the left. For years, Goldberg appealed to reporters, producers, and network executives for more balanced reporting, but no one listened. The liberal bias continued.

Now, breaking ranks and naming names, he reveals a corporate news culture in which the closed-mindedness is breathtaking and in which entertainment wins over hard news every time.

New York Times bestselling author Bernard Goldberg argues that the left-leaning mainstream media crossed the line during the 2008presidential election campaign and helped to determine the outcome. Normal 0 MicrosoftInternetExplorer4 st1:*{behavior:url( ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:Table Normal mso-tstyle-rowband-size:0 mso-tstyle-colband-size:0 mso-style-noshow:yes mso-style-parent: mso-padding-alt:0in 5.4pt 0in 5.4pt mso-para-margin:0in mso-para-margin-bottom:.0001pt mso-pagination:widow-orphan font-size:10.0pt font-family:Times New Roman } Author: Bernard Goldberg Format: 184 pages, Hardcover Publisher: Regnery Press First Printing edition ( January 26, 2009) ISBN: 978-1596980907

No preaching no pontificating, just some uncommon sense about the things that have made this country great_ and the culprits who are screwing it up...

The number one New York Times bestselling author of Bias delivers another bombshell—this time aimed at . . .

100 People Who Are Screwing Up America

No preaching. No pontificating. Just some uncommon sense about the things that have made this country great—and the culprits who are screwing it up.

Bernard Goldberg takes dead aim at the America Bashers (the cultural elites who look down their snobby noses at ordinary Americans) . . . the Hollywood Blowhards (incredibly ditzy celebrities who think they're smart just because they're famous) . . . the TV Schlockmeisters (including the one whose show has been compared to a churning mass of maggots devouring rotten meat) . . . the Intellectual Thugs (bigwigs at some of our best colleges, whose views run the gamut from left wing to far left wing) . . . and many more.

Goldberg names names, counting down the villains in his rogues' gallery from 100 all the way to 1—and, yes, you-know-who is number 37. Some supposedly serious journalists also made the list, including the journalist-diva who sold out her integrity and hosted one of the dumbest hours in the history of network television news. And there are those famous miscreants who have made America a nastier place than it ought to be—a far more selfish, vulgar, and cynical place.

But Goldberg doesn't just round up the usual suspects we have come to know and detest. He also exposes some of the people who operate away from the limelight but still manage to pull a lot of strings and do all sorts of harm to our culture. Most of all, 100 People Who Are Screwing Up America is about a country where as long as anything goes, as one of the good guys in the book puts it, sooner or later everything will go.

This is serious stuff for sure. But Goldberg will also make you laugh as he harpoons scoundrels like the congresswoman who thinks there aren't enough hurricanes named after black people, and the environmentalist to the stars who yells at total strangers driving SUVs—even though she tools around the country in a gas-guzzling private jet.

With Bias, Bernard Goldberg took us behind the scenes and exposed the way Big Journalism distorts the news. Now he has written a book that goes even further. This time he casts his eye on American culture at large—and the result is a book that is sure to become the voice of all those Americans who feel that no one is speaking for them on perhaps the most vital issue of all: the kind of country in which we want to live.

Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art.

The book probes trends that arose in the 1970s and solidified New York's reputation as arbiter of the postmodern American avant-garde. By 1974, the hippie euphoria of the previous decade, with its optimism, free love, and paeans to personal fulfillment, was over. In its place emerged a new kind of experimentation--in art, sex, drugs, and rock and roll. The seven essays featured here examine from different perspectives how Downtown artists constantly pushed the limits of both traditional media and the art world. Art critic Carlo McCormick addresses the energy, power, drugs, and nonstop erotic motion that propelled the scene. Music historian Bernard Gendron explores how minimalism, loft jazz, and Punk all occupied the same Downtown spaces. RoseLee Goldberg, the noted scholar and critic of performance art, looks back at ten years of its ascendancy Downtown. English professor Robert Siegle casts a critical eye on the literature of the Downtown scene. Librarian and archivist Marvin J. Taylor surveys Downtown as both geography and metaphor, and grapples with the question of how best to organize and preserve materials that often challenge the very notion of the archive. The book also includes seminal essays on the critical theories underlying Downtown art, by Brian Wallis; and on Downtown film, by Matthew Yokobosky.

The essays are intercut with personal reminiscences by such renowned pioneers of the Downtown scene as Eric Bogosian, Richard Hell, Lydia Lunch, Ann Magnuson, Michael Musto, and Martha Wilson. More than 150 striking photographs feature Downtown denizens and galleries; works by Cindy Sherman, Keith Haring, and many other artists; and hotspots such as CBGBs and Club 57. Hip and provocative, The Downtown Book provides a rare glimpse into the cauldron of the New York artistic counterculture--and the colorful characters who inhabited it.

EXHIBITION SCHEDULE

Grey Art Gallery and the Fales Library

New York University

January 10 - April 1, 2006



The Andy Warhol Museum

Pittsburgh, Pennsylvania

Mid-May to September 4, 2006



Austin Museum of Art

Austin, Texas

November 11, 2006 - January 28, 2007 (tentative dates)

Arrogance (Rescuing America from the Media Elite) This is an attempt to reach out to every American with an open mind. Regardless of whether your conservative or liberal, or somewhere in between, this book will make your think. How the Media gets us to think only what they want us to think by withholding some of the news. A very thought provocking novel

Enough of the leftist lunatics like Rosie O'Donnell who think Radical Christians are as big a threat to America as Radical Muslims. Enough of the hyperbolic liberal rhetoric comparing Bush to Saddam and Mel Gibson to Hitler. Enough of the hyper-partisan, ultra-PC liberal media, which often seem more sympathetic to the victims of humiliation at Abu Ghraib than to our troops dying at the hands of Iraqi fundamentalists.

Enough, too, of the gutless wonders on the right who don't have the courage to stand up for their own convictions. Enough of their pandering, trolling for votes, and outspending the Democrats.

Now with powerful and provocative new material, Bernard Goldberg's Crazies to the Left of Me, Wimps to the Right sounds an even louder alarm than before—warning that, if the wimps on the right don't regain their courage and reclaim their principles, the crazies on the left just might win the White House in '08.

The #1 NewYork Times bestselling author of Bias exposes the culture of narrow-minded elitism in the media-and reveals what must be done to change it. In December of 2001, Emmy Award-winning journalist Bernard Goldberg charged the mainstream media with slanting the news and created a firestorm with his controversial bestseller Bias. Now Goldberg goes beyond identifying the media's partiality and explains how the slanting of the news is all but inevitable in the current climate-and why the media's stars continue to deny the industry's condition. In this fascinating report, Goldberg lays out his rallying cry, unafraid to name names, and prescribes the difficult remedies that.